Tag Archives: Warren Ellis

Heading Toward A Low Sun…

Tomorrow night, the incendiary Dirty Three, will set fire to The Tivoli as part of their Toward the Low Sun tour. The last time they sailed this way was to play Ocean Songs in its entirety and to say the least it was jaw-dropping. Dirty Three have often been described as the best live band on the planet, so beg, borrow, steal a ticket to the show tomorrow night… there will be no better place on the planet! And for now, here’s the hypnotic Moon on the Land.

 

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Carrying the Fire

Last night I saw John Hillcoat’s (The Proposition, Ghost of the Civil Dead) latest film, The Road and like all great art, it has left me feeling different. The story, shifting parts of my very being around to open me up like a can of fish and expose my own vulnerability. And it’s a story that is more important now than ever before… a story that is at its heart about the unbreakable bond of father and son, the struggle of being a man and the importance of carrying the fire.

Forget the term post-apocalyptic that has been used to describe the world of The Road… this is a world that has moved beyond that. It is a world unable to create new dreams, new memories; those left to survive have only their past to nourish them… the fire that burns inside. Scarily, the breakdown of family structure and the bond between father and son in our very own world is as bleak as the landscape Hillcoat realises in The Road and it is this that haunted me most throughout the film.

The fire on screen between Mortensen & Smit-McPhee was unflinching, their sense of hope, never once delusional, despite the savagery of the land and ‘the bad guys’; those who had forsaken their fire and roamed the road in gangs, searching for food, which more often than not was the flesh of other survivors. I feel that same fire; born into a family where our bond is everything… but it is a fire that our society is quickly extinguishing. I see and feel its loss daily in our schoolyards and streets, but as McCarthy’s story shows us, as long as some of us carry the fire, there is always hope.

The Road will challenge, will hurt and haunt, but my own fire is burning brighter for the experience.

Here’s a great trailer I have found and a track (Memory) from the sparse, plaintive score by Nick Cave and Warren Ellis.

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Getting to know yourself with the Dirty Three

Last night, I opened my live music account for 2010 at The Tivoli, with Laughing Clowns and Dirty Three joining forces as part of the Don’t Look Back concert series. The Don’t Look Back concerts emerged out of the legendary All Tomorrows Parties Festival and since 2005 have showcased bands in the USA, UK, Europe, Australia & NZ, playing one of their classic albums from start to finish… just some of the artists and albums to have been given the Don’t Look back treatement include Iggy & The Stooges (Fun House), Slint (Spiderland), Sonic Youth (Daydream Nation), The Saints (I’m Stranded) and Died Pretty (Doughboy Hollow).

Last night’s show opened with Laughing Clowns playing one of their retrospective albums, History of Rock ‘n’ Roll Volume One. I know it may be seen as sacrililege in these parts, but the band just didn’t work for me on stage last night. At times the band locked into some mean, bass-heavy grooves, but the members seemed disparate, never quite coming together to forge new ground. Wegner’s drumming, lost somewhere between jazz flourishes and straight ahead rock beats, seemed overstated and instead of uniting the elements, left them stranded, looking for structure. It wasn’t until album closer, Collapse Board, where saxophonist Louise Elliot unleashed, playing like a wounded animal calling for its mate to couple in unrelenting bliss until the light goes out in their eyes, that the band seemed to surprise themselves and (rather than recreate) create a sound that pricked the ears and skin.

And then after a short break, the good ship Dirty Three hit the stage, with captain Warren Ellis, luminous in spirit greeting the crowd, while the crew of Jim White and Mick Turner, readied the vessel for the journey ahead. Ellis tells us they will be playing Leo Sayer’s Just A Boy, which would be fascinating to hear, but as the anchor is pulled, Ellis reveals that tonight, it is Ocean Songs, an album recorded in the late 90’s over five days in Chicago with Steve Albini, with the idea of being quiet.

Ocean Songs for me, has always been much more than an album… it is a year at sea. And as the band launch into the opening notes of Sirena, each of the members is transformed, taking on the vast power of the elements… White, the ocean, at times still and shimmering, at times rising thunderously, whitecapped and dangerous, but always present, always; Ellis the wind and sky, unpredicatbly moving from a gentle caress to a blinding squall, a high-kicking dervish, whose sound is so vast you never reach the edge; and Turner, the tide, knitting it all together, his constant pull, while not always at the fore, always felt deep.

Warren’s got a story for each of the songs; the epic Authentic Celestial Music is about love and it’s fucked up nature, how it’s like realising that 98% of it is like being in a bowl of soup, wondering how you will get out; Last Horse On The Sand is about vastness, realising you are so small that it doesn’t really matter (as Warren says, baby I may not be much, but I’m the last horse on this sand); Black Tide is dedicated to the late Roland S. Howard; Backwards Voyager is a middle finger salute to flying economy and getting probed (literally) by the Chicago police; and Sea Above, Sky Below is about realising even the birds in the trees and the nice old lady down at the shop are telling you to get fucked, so you go home and take pyschadelic drugs and get to know yourself better than even the good lord intended and how you come out of that haze 5 years later and realise they have been the best five years of your life, so you go down to the shop and bend that nice old lady over the counter and say thank you.

It’s a show that surpasses the epic beauty of the original… Dirty Three are a band playing for their lives, all of our lives and tonight, all who (truly) climbed aboard, have returned transformed by these elemental forces, salt-licked and staggering, having been taken to the edge of wonder and allowed to drink.

* if you couldn’t be there, this doesn’t capture the magic, but it is incredible in it’s own right… this is a link to Dirty Three playing many of the songs from Ocean Songs as part of ABC TV’s Studio 22 series.

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Ocean Songs

                                                                               photo by Cindy Keong

My heart is never far from the ocean, but the pull of the salt has been even stronger these last few weeks…  I am currently putting the finishing touches on my next full length collection and have recently begun work on a really exciting multimedia project with photographer Cindy Keong. Both of these projects will be titled Ocean Hearted… so with that in mind, I have been soundtracking my silences with ocean songs. Here’s a few of the songs that have been washing over me.

Restless Waves – The Dirty Three

Taut and sensuous… Restless Waves pulls you deep into the blue. Ellis’ swelling violin, drifts elegantly over the gentle roll and tumble of the rhythms of Jim White and Mick Turner. And the bare-bone silences flesh out the aquatic journey. This is music to up anchor and drift away…

The North Sound – British Sea Power

Taken from the stunning Man of Aran album released this year, The North Sound is a jagged slice of melancholy. The band combine stillness and grandeur to create the soundtrack to Robert Flaherty’s film Man of Aran. The result is a broodingly atmospheric masterpiece and would have to rate as one of the most innovative releases of the year.

You Me And The Sea – The Gin Club

For me, the highpoint of The Gin Club’s 2008 release, Junk. You Me and the Sea, is the sound of a body, giving itself back to the ocean. As Salter declares, ‘my eyes the pearls that last/ my bones of coral make’, all wonder ceases… and then ‘forever there’ll just be/ you me and the sea’. Heartbreakingly beautiful stuff.

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Nick Cave & The Death of Bunny Munro

The Death of Bunny Munro

 

It’s been a long time between drinks, but Nick Cave is about to release his second novel, The Death of Bunny Munro. Fittingly, the book will also be released unabridged in audio format (complete with soundtrack by Cave and long time collaborator Warren Ellis) both as download and a deluxe box set.

Irvine Welsh has this to say about it:

‘Put Cormac McCarthy, Franz Kafka and Benny Hill together in a Brighton seaside guesthouse and they might just come up with Bunny Munro. A compulsive read possessing all Nick Cave’s trademark horror and humanity, often thinly disguised in a galloping, playful romp.’

Excited yet?

Well if you answered yes, check out the website: The Death of Bunny Munro

It is brimming with great stuff… The Audio Books page has Cave reading Chapter 1 and there are videos of Cave reading excerpts from various chapters.

The book is scheduled for an August release in Australia through Text Publishing. Can’t wait!

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