Tag Archives: ouTsideRs

Softly, Softly…

                                                           or The New Folk XVI

I am anticipating some unique live music moments in the week ahead… First up, I dive into the deep sonic waters of Rafael Anton Irisarri (aka The Sight Below).

Irisarri’s work has been described as, meditations on suspended momentum and the opacity of perception (Big Shot). His evocative soundscapes and ambient pop epics, encompass the big emotions… longing, sorrow, bliss, while drawing the listener below the surface to look up at the storm of sounds shimmering above. Composers like Irisarri don’t visit these parts too often, so I too, am shimmering with excitement at the prospect of seeing him cast his sonic spell this Thursday night (August 19) at The Judith Wright Centre of Contemporary Arts. This haunting composition – Watching As She Reels – is from the Limited Edition 7″ EP, Hopes and Past Desires.


Then I lay my head down on the soft downy sounds of The Stress of Leisure as they take over The Zoo this Friday evening (August 20). Their third album, Soft Approach, has been on high rotation this past month, so I am looking forward to hearing the band rip through some of my favourites – The Boy’s Got Issues, Somewhere in the Afternoon and In the Movie Where He Dies of a Mystery Illness at the End. While the gig is being touted as ‘Soft’, including free hand massages on the night, The Stress of Leisure can rock pretty hard. For proof, check out the clip for Death on the Magic Mile.


Ah yes, softly, softly, the week unfurls…


Filed under who listens to the radio?

Air for the Birds – Ghostboy & the Brotherhood of the Wordless

If you don’t already have it marked in bright red (or whatever colour takes your fancy) on your 2010 calendar, then grab said pen and mark Saturday January 30, as the day you head across to State Library of QLD to experience Air for the Birds.

Air for the Birds is an inspiring spoken word event, combining the talents of some of Australia’s most well-known performance poets and one of the country’s most unique writing collectives, the Brotherhood of the Wordless. The Brotherhood of the Wordless is comprised of fourteen South-East Queensland writers with autism and other disabilities that preclude speech or the muscle ability required to use keyboards or writing implements. Using the technique of facilitated communication, the Brotherhood works with trusted scribes to bring their powerful thoughts and words to life. The Brotherhood of the Wordless have published a book of collected writing, “Tapping on the Heart of the World”, now in its third reprint. They have featured on ABC Radio National, the Brisbane Writers Festival, Queensland Poetry Festival, and members have preformed at the Woodford Folk Festival to a standing ovation.
Working with their facilitators and one of Australia’s premier performance poets, Ghostboy,  the Brotherhood of the Wordless will present performance based texts and poems they have written over the past year with Ghostboy entitled Air for the Birds.  Air for the Birds covers the themes of fantasy and dreams, the face of the “other”, and the voices of the everyday objects central to these writer’s lives.

I recently had the chance to interview Ghostboy and several members of the Brotherhood of the Wordless, to get an insight into the collaboration.

Peter Rowe and Peter Brown with one of the BOW facilitators

Air for the Birds is such a great title for the show; air and breath being such important elements in both the performance and writing of poetry. Tell us about the title’s significance and how it came to life.
Ghostboy: The line is from one of the shows central poems by Peter Rowe – I felt it really summed up the collaboration, the process around their writing with me, and the degree of their dreams and ambitions… and all the guys agreed!

Glenn: it represents freedom of expression, like flying / spreading wings

Lucy: the expectations of flying is so precious to me. the lost capacity of speech is tragic & the need for speech breath is basically not there for us.

Sam P: Freedom.

Peter B: Enjoyment!

Peter R: freedom of expression and the thought of movement / something we do so naturally but so essential to my words

Adrian: freedom! our poetry is like clean air, cleansing our souls.

I was reading an essay by Diane di Prima recently and she was saying that what we are is nothing but a physical instrument, not much different to a musical instrument in some ways and that creation comes only out of changes in the physical instrument. Tell us about how the unique ‘physical instruments’ of this show came together and the creative process involved in developing Air for the Birds?
Ghostboy: The writers wanted to give you some sample lines from their object poems about their facilitation boards & physical environs  – as they are so central to their creative process – to answer this one:
chair takes me places  – Adrian

My chair is my life / It comforts me / It’s chocolate and leather / just for me  – Mike R

Chair / Flat in my legs

And yet a cube in my sign  – Lucy

Straining at the loo / I can’t let this go  – Geoff

the Communication Board feels like my lover

I’m full of gratitude and respect / my beautiful God given board / my life, hope and future    – Glenn

My Board / My true love / my fun time / my friend / my everything. 

You are to me / what air is to a bird.  – Peter R

What have been the highlights of the collaboration?
Sam R: So much fun working with Ghostboy, have really loved being part of this.

Mike: The enthusiasm Ghostboy brought to the sessions has been very inspiring, it has brought new life and energy to my words.

Peter R: This project has brought another level to my work

Peter B: Ghostboy and “air for the birds” ROCK!

Ghostboy: The Brotherhoods creative drive being one of need not ego; the efficiency of their language set against their unbridled energy and spark as physical beings; their ability to direct their own work in terms of the voice required by others reading it; their self-belief as artists – huge!

Finally, what can the audience expect from the show?
Peter B: The audience will be gobsmacked. awestruck, overwhelmed and flabbergasted!!!

Sam P: It will change the way people think about us – both us writers and human beings

Glenn: it will bring further understanding about the autistic world.

Peter R: It will bring another message that we are artistic – not just autistic- and clever.

Mike R: This is a space for us to express ourselves in the outside world.

Rodney: They will see us as poets being part of the most mind blowing dazzling spectacle of fun. fearlessness, and fucking awesome poetry!

The State Library performance will be accompanied by ouTsideRs artists including musician and poet Suzanne Jones (keyboard); renowned avant garde musician Bremen Town Musician (violin), and ouTsideRs award winning spoken word artists Pascalle Burton and Tessa Leon.
Air for the Birds is Presented by the State Library of Queensland, ouTsideRs aRT Inc and Brotherhood of the Wordless.
When                    4pm, Sat 30 Jan
Where                   slq Auditorium 1, level 2
Tickets                 Free, no bookings required
Please note this performance contains some adult themes and is best suited to people aged 16 and over.
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Filed under events & opportunities, interviews/artist profiles

SpeedPoets & other Brisbane Poetry Gigs

SpeedPoets Logo


Don’t forget that SpeedPoets takes over The Alibi Room tomorrow for their annual Open Mic Championships… should be a great afternoon. Check out all the details tomorrow as well as lots of other upcoming gigs.

Sunday August 2
This is the big one folks! SpeedPoets fires up for its yearly Open Mic Championships, so make sure you are at The Alibi Room (720 Brunswick St, New Farm) from 2pm to put your name down to be in the running for some cool prizes including $100 first place, $50 second place + a whole range of giveaways. But most importantly, we want you there to share the spoken word love.
The rules of engagement are simple:
* There are 20 places available in the Open Mic Championships
* Sign on will take place at The Alibi Room between 2:00pm – 2:30pm or until the 20 places are filled
* Each poem read/performed must be the poet’s original work
* Each poet has 3 minutes to read/perform their poem (one poem only)
* If the poet goes over the allocated time, they will be notified and given 30sec to finish their poem.
* The poet may not use props or musical accompaniment.
* 5 poets will be selected to read in a second round
* Poets selected for the second round will be allocated 6 minutes to read two (2) poems
* If the poet goes over the allocated time, they will be notified and given 30sec to finish their poem.
* Judges will then select a first and second place (with prizes for the runners up)
Please note: these rules may be changed at the organisers discretion and judges decision is final. No discussion will be entered into.
And to add to the fun, our monthly riff generator, Sheish Money will be bringing some friends from his band Namedropper along to play a set of songs from their forthcoming CD.
As always there will be free zines and the monthly raffle. Entry is a gold coin donation. Don’t miss it!!!
SpeedPoets, 2pm Sunday August 2, The Alibi Room (720 Brunswick St New Farm)
Thursday August 6
Put some poems in your pocket and head on over to Cafe Checoco (Hardgrave Rd West End) for Poetry Soup. Plenty of Open Mic and jamming opportunities for all comers! The gig kicks off at 7:30pm and is a free event.
Wednesday August 19

ouTsideRs cordially invite you to THE SUITS


 ‘One of the most bizarre and brilliant live music events Brisbane is likely to witness this year.’ ouTsideRs Time Off review 

‘An idea that is not dangerous is not worthy of being called an idea at all.’ Oscar Wilde 

Following on from blowing Hunter’s Ghost at The Globe, Beau Brummel’s beckoning you to get your best suit on (bathing/business/birth/track, what have you) and get ready to kiss buttons as we present our second MASSIVE ouTsideRs show of 2009, stuffing David Byrne shoulder pads and Poetry Slam into the Ladies’ Lounge that is The Troubadour. Funded by the fine croupiers’ pockets via the Gambling Casino Benefit Fund, this night will be a three-piece American box cut with the best BrisVegas wordsmiths venting their hearts and words on lapels for all to wear and hear! 

Featuring track-suited drop six house band & their John Butler award winning hip-hop soul Impossible Odds,  the contemporary double breasted chicanery of MAJIK BOX and QLD slam spoken weird suit-master of ceremonies Ghostboy with well groomed word mannequins  Tessa Leon & Pascalle Burton….plus the usual ouTsideRs dandy madness! 

And this show sees the start of the Australian Poetry Slam presented by The State Library of QLD –  in true two-tone style, tailored lines and all. Two minutes to “hit The Troubadour mike and let the words take flight” as part of Australia’s biggest spoken word competition – where the audience is the judge! It’s a Rat Race, the first 20 to sign up on the night will compete. For full event & slam details head to: www.slq.qld.gov.au/poetryslam

ouTsideRs/Australian Poetry Slam Heat 1
The Troubadour
Wed 19th August
8pm doors / 8:30pm start
$5 entry / prizes for best use of a tie… Suits you, Sir, oooh!


Filed under events & opportunities

Buy the ticket… an interview with Ghostboy

Brisbane’s ouTsideRs collective are putting on their dancing shoes and stepping out to The Globe Theatre this Saturday night for their first 2009 show – Buy the Ticket, Take the Ride.

So I donned my raincoat and caught up with self-confessed Spoken Weird artist, Ghostboy to ask about the show, the influence of Hunter S. Thompson, Slam and abstractions… he had plenty to say.




You describe yourself as a Spoken Weird artist. Give us the low down on that.
The “low down” is an excellent day beat in Kings Cross where cheap artists can blow their horns.  Most poets are into the “beats” as they wanted to do their father, yeah? Mine was too short, so I read a little Ginsberg and did myself instead.
“Spoken Weird” is a term that captures what has been described as my “righteous anger”, my need to touch people (not just with words), my sister surrealism, and my total lack of connection to the spirit or intentions of either the current spoken word or poetry “scenes” and hence those terms. I feel like an other, outside the scenes and inside the host body (poet/ex-wife David Stavanger) whose kidney I rent = alter ego is the loneliest number.  The phrase comes from a wonderfully sexually charged and highly unreliable Melbourne musician Yilton Kreen, and I co-opted it as a way to feel like my artistic highway was full of the right hitchhikers and detours – you want a lift with me, you better bring a towel.
It also speaks to the irreverence I feel for (and seek from) poetry/spoken word yet rarely seem to encounter – I seek the mad joy found in the abandoned ones, the ones who just experiment with life and breathe it into the mike…very very rare, like me wearing beige or enjoying a poetry open mic.
“Spoken Weird” also best captures my work with my lovers and muses Golden Virtues: part words / part song, out front of the strangest punk kabaret musikale beast to come out of QLD since Lady Florence….this project is really starting to explode, with upcoming gigs at the Melbourne Fringe and our first aural infection underway in the studio, and is now the Virtues only focus as a band which is taking it down to new heavens (and they are so raw / sexy / talented,  and open to sharing a stage or skirt with me too). www.myspace.com/ghostboywithgoldenvirtues 


Buy the Ticket, Take the Ride is the first ouTsideRs gig since the monthly event wound up late last year. So what can one expect when they do buy their ticket?
The return of the wildest free form show in Australasia. Acid droppers & drop outs welcome. The first Ghostboy with Golden Virtues live show since the infamous bed breaking finale at Woodford including new tracks and strokes for all the different folks. We will be shitting on the chest of fun – my chest will be proffered to all takers with quality shit on offer. We will also be launching our first video clip for Wolfish on the night directed by Jacob Schiotz shot gonzo style in New Farm Park. James Cruickshank (The Cruel Sea) in solo Hells Angel mode – he is worth washing your hands for and not touching your joystick on a Sat night alone! Mz Hinemoana Baker is making a guest appearance (hopefully in cabaret song mode – wait & see);  & the lovely Pascalle Burton debut balling her new set based on jazz, sex and her deepdeep love of scrubs. Throw in our MC Tessa Leon (back from SA for this), twin security guards Sezsu on the door and the the usual ouTsideRs surprises = including the make-up of the HS Thompson Orchestra (think then excuse yourself from the room, wash your bottom twice and smile) –  and you would have to be a horny monk with a new whipping boy to miss this one.
The event will be held on Hunter S. Thompson’s birthday. How has the great man of Gonzo influenced your own work?
I am new to HS Thompson  words as I can’t read, but not his spirit. However, I was once in love with a Mexican salsa dancer who took me down south to Playa de los Muertos, where we made love fortnightly and he read me Fear & Loathing through the cone of the his Bullmouth Helmet while we ate bbq’d iguana and threw the stereo into the mouth of cortez.
I will hand over to Pascalle here from ouTsideRs, as she is the most hunter hearted lady I know, and she had this to say:
Hunter S Thompson is one of those word artists that when you meet them for the first time, whole planets are opened up.  He was fearless, and full of fear. He was wild and exciting. He was smart. So smart you wonder how all the politics, sport, literature, music, art and humour didn’t make him explode. He drove fast through the American Dream and didn’t mind calling out ‘Swine!’ through a megaphone at any given moment. But this was not a man who wanted to throw acidic insults at just anyone – he had an incisive sense of right and wrong and who was worth fighting for. His internal compass was rarely swayed and very often prophetic. And if he was in your corner, he knew all the hooks and punches to guarantee a knockout victory.  Like all of us, his version of truth was his own. Unlike most, he had fun riffing on reality and raving lunacy and was interested in the repercussions of his rantings. Some people have a lot to say but say it weakly. Some have a way with words but not much to say. Here was a man with a desire to go fast and hard into the fire with a deep love of words at his core.
I love this: Some people have a lot to say but say it weakly. Some have a way with words but not much to say. So much is instantly revered today in poetry/spoken word – too many fucking worshippers, not enough goddesses (and devils!!!). 

You are also heavily involved in the Australian Poetry Slam. I recently read that Slam has become a brand name, not an attitude anymore. The motto: I WANT TO BE A NONCONFORMIST JUST LIKE EVERYONE ELSE. In another article, Slam founder, Marc Smith said, now there’s an audience, and people just want to write what the last guy wrote so they can get their face on TV. Well, O.K., but… this show wasn’t started to crank out that kind of thing.

Got to respond to this first –  you can read lots of things about slam, as much has been written: good and bad. The fact is, get to a slam (and actually enter) and then form your own view, all views entitled. The motto of slam was never to not conform or conform (what a wank of a quote), just to entertain and invite all to participate. Slam as an attitude – no, slam is just a show not a t-shirt. It is not a form, not a style, it is not a brand – though here I agree, some see slam as a career opportunity rather than a calling. Lets just call it = slam is just a great show, using a certain format with limitations and restrictions on some poetic forms and expression, with different flavours and intention wherever you go which won’t speak to all. Poetry open mics are just a community service where poets rarely listen and celebrate the ordinary way too much but they offer a sense of belonging somewhere and word virgins get a chance to start the walk to the actual bedroom. There is nothing more to either, the general quality of the art at both can be substandard and on occasions stunning (as are lovers and takeaway Chinese) yet both are vital and needed to keep fostering new voices and putting the artform into the public and media consciousness.
The actual audience cares little for such discussions – increasingly, neither do I. And I am not just heavily involved in the APS, that is just the end result of having been at the heart & groin of slam in QLD since its real emergence as a viable and relevant form via ouTsideRs in 2005. I just got called to slam, like herpes,  then had had the opportunity to work closely with my slam mentor and soul friend Marc “So What” Smith (US) – the true founder /forefather and social activist of the slam form. I have hence developed a deep respect for & understanding  for both him and the initial intentions of this important form of art entertainment, particularly in its vital confrontation of traditional poetic live forms & performance and in breaking down the notion of “passive audience” and concepts of direct inclusion of all in some form of poetry.  I am most proud of being one of the few Slam MCs who has never compromised his/her slam approach or philosophy regardless of the context or gig – I have pissed plenty off and lost opportunities at times for it… shit happens but my head is always high. Crazy Elf in Melbourne deserves credit here in this respect too…another true slam warrior, we have great fun MCing slams at Woodford together.


Where do you think Slam is at in Australia?
It is becoming a beast that some want to tame and sell at the market, as has happened in the USA. The Australian Poetry Slam is great in that it is a national event creating big media attention for the form and providing paid work to spoken word artists – it also (particularly in QLD) is taking slam to regional areas where there is barely even a regular writers group or open mic. However, the big prize money and size of the spotlight can also encourage a homogenised form, where the artist sets aside their natural instinct to try and strategically please or shock the crowd – better to slam off for a Culture Club LP or some tinned sardines, but the same thing can be said about most poetry journals, where form and aiming for their peers or the editor’s stamp of approval seems to ride over risk and originality.  Both lead to boredom and breed familiarity, which some seem to dig as it can be comforting like warm milk and nan’s cookies but personally often the most innovative work scores badly or doesn’t make it into the big poetry mags: that’s where you will find me, yawping loudly on the edges stroking my 2nd chin!
As for QLD – I, as did Marc, believe it is one of the most vital and unique slam cultures in the world – it is not just  about winning; it dosn’t promote a particular style –  it is an avante garde fire forum where we make all welcome (and uncomfortable), even those that just walked in to use the toilet (best beat in Brisbane is an ouTsideRs toilet after the 3rd act – take a kranksky and a napkin, and don’t forget to wash their face). 


* What is the most significant abstraction in your life?
Plagiarism. Hey, you naughty Mr Shark , you stole this from Michael McClure Personal Universe Deck – you need to credit the questions we fear sir.

(Consider this Shark’s fin slapped… an oversight in my original email G’boy, but you know this Shark wears spectacles and loves a good reference – see below for full details)

Architecture – I am hugely invested in how we are built and why the buildings collapse. Who is the writer you see when you look away from the mirror?  How many times can a man come? When does an alter ego become a citizen not just a skin tenant?

* Question taken from Cinnamon Turquoise Leather: (A Personal Universe Deck), Michael McClure, Talking Poetics from Naropa Institute


And finally, is it true poetry started in your right testicle?
No, David’s right testicle. He was experiencing alot of swelling and couldn’t come for weeks. The first doctor thought he may have delusions of testicular grandeur; the second just wanted to take his gloves off and touch it. Finally, I made my way up into his singular kidney (David has a drinking problem – he hates water) and set up my first milk crate studio in 2005. Better than the last one – was stuck in the bowel of Warren Beatty, man he was full of shit. Ishtar for f&*^&sake!! That was me he was channeling in his fantastic portrayal as a hip hop politician in the 1997 film Bullworth – I can’t wait to move on from this dud root of a poet to a strong Dutch sailor or a small dog in a big kennel. Woof!



The Psychiatrist
                   by Ghostboy


The Psychiatrist can prescribe you pills.
The Psychiatrist can give you a script
or several pills dependent on the diagnosis.

they can give you pills to stop worrying
pills to start having an erection again
pills to stop obsessive thoughts and irrational beliefs
such as the world is going to end or the sink is dirty
like a big wet asshole.

When you leave the office
the psychiatrist starts smiling and swallows several pills
then smiles some more. it collects ties from around
the world and often dreams of showing these
to its patients but fears they will not understand
as the patients are all crazy.
The Psychiatrist can give you a title.
The Psychiatrist can give you a new name
so that when you start barking on the train
you can introduce yourself on your own terms.

when you are at its desk
it will not smile but will frown
if you say you are not happy:
if you say the pills make you feel
small it will only write more.

The Psychiatrist is a doctor.
The Psychiatrist can take your pulse
or remove your kidney should the
situation arise. More likely they will
take your money and tell you
you should  be okay in 12 months
but something will always be
wrong with you.


Filed under interviews/artist profiles