Today the spotlight is shining on Noëlle Janaczewska. Noëlle is an accomplished writer in a number of styles including poetry, plays, performance texts and radio scripts. I had the pleasure of talking to her about her influences, the role of spontaneity the importance of performance and the writing process. Here’s what she had to say:
What is the role of spontaneity in your creative process?
It’s there, but to what degree, I’m not sure. What I can say is that all my work comes from some combination of interior activity and exterior influences, but the balance varies from one work to another, and from one day to another.
Eliot said, “Poets learn to write by being other writers for a while, and then moving onto another one.” Who are the people who have influenced you and who are you reading now?
I spent my early teens wanting to be Joseph Conrad, and my bookcase still has a ‘Conrad’ shelf—or 2. There’s also my battered Penguin copies of Children of Albion, Donne’s The Complete English Poems and Cautionary Tales by Hilaire Belloc—horrible politics, funny verse. I’ve always relished inconsistency and contradiction. More recent influences are Czesław Miłosz, Caryl Churchill, Ira Gershwin, Laurie Anderson and Izumi Shikibu. Right now I’m reading Isaac Newton’s 1659 Notebook (research for a new work) and listening to Lester Young (probably my favourite tenor saxophonist) and Don Byron.
Why perform/read your poetry?
More and more of my writing is on the borderlines of performance and poetry. I have a theatre background with a strong interest in music and musical forms, so things like rhythm and refrain, timbre and tone have always been important. And spoken words pieces are obviously composed with voice in mind.
I am always interested in the thought processes and practices of writers. Would it be possible for you to share with us your process, in other words, what does Noëlle Janaczewska do in preparation for writing?
A lot of thinking. A lot of walking—not only along the harbour foreshore, but also up and down supermarket aisles. A lot of what may seem like aimless wandering, both mental and physical, but it all helps create what I like to call a dreaming space for the work. I recently read Doris Lessing’s 2007 Nobel lecture, and posted this excerpt on my blog (http://outlier-nj.blogspot.com): ‘Writers are often asked, How do you write? With a wordprocessor? an electric typewriter? a quill? longhand? But the essential question is, “Have you found a space, that empty space, which should surround you when you write?” Into that space, which is like a form of listening, of attention, will come the words, the words your characters will speak, ideas—inspiration.’
Finally, where are you looking when you write?
Literally: a computer screen. Figuratively: the world in all its shambolic glory.
About Noëlle :
Noëlle Janaczewska’s performance texts, plays, libretti, lyrics, spoken word, poetry, essays, gallery and on-line explorations, and radio scripts across drama and non-fiction, have been performed, published and broadcast throughout Australia and overseas.
Recurring themes in her work are the history and philosophy of science, colonialism and its legacies, narratives of migration, and the exploration of language. The recipient of 4 AWGIE Awards, her stage plays have won the 2002 Griffin Playwriting Award, the 2001 Playbox-Asialink Playwriting Competition (Songket), and the 2006 Queensland Premier’s Literary Award (Mrs Petrov’s Shoe). Recent productions include: Eyewitness Blues for the BBC, The Hannah First Collection, 1919-1949 for the Zendai Museum of Modern Art in Shanghai and There’s Something About Eels … for ABC Radio National.
Alongside performance, Noëlle has published in anthologies, arts journals and on-line magazines. The poems she wrote for Kathryn Millard’s film Travelling Light feature on the soundtrack CD, and in 2006 The Wayzgoose Press published her long poem Dorothy Lamour’s Life as a Phrasebook. Find out more about Noëlle’s work at www.outlier-nj.blogspot.com and www.noellejanaczewska.com
LOCAL CUSTOMS: TIPS FOR REFUGEES
Don’t be rushed to buy something when you see a sale,
Here there is always being a sale of some sort.
When you are standing in line keep your good distance
Or the person in front of you will be offended.
It’s quite normal to say ‘see you later’, even if you won’t.
Pink colour is here associated with girls, blue colour with boys,
Green, yellow, orange and grey colours are unisex.
Many people here are keeping animals inside their household;
You will cause upset if you don’t treat them like members of the family.
For your dishwasher use detergent specially designated for that,
Ordinary dish-cleaning soap makes too much foaming.
Pizzas are very popular for people of all ages and lifestyles;
You can get cheese pizza, vegetarian pizza or pizza with meats.
Additional servings are called ‘seconds’ and are offered once.
Keep in mind you can’t walk anywhere you like to,
If you walk at inappropriate place the police may give you a ticket.
In front of Australians you should avoid talk in your native language,
They don’t like it and are thinking you might be hiding something.
Catch Noëlle at QPF 2009:
Saturday August 22 – 1:30pm – 2:30pm
Spine of Lost Voices: feat. Noëlle Janaczewska, Elizabeth Bachinsky & Jessika Tong
Saturday August 22 – 8:00pm
A Million Bright Things: featuring a short set from every bright thing on the 2009 program plus a feature set from the awesome Neil Murray
Sunday August 23 – 12:15pm – 1:15pm
Venus Walked In: feat. Jane Williams, Zenobia Frost & Noëlle Janaczewska
All sessions are held at the Judith Wright Centre of Contemporary Arts, Brunswick St. Fortitude Valley.
For full program details head to www.queenslandpoetryfestival.com