Tag Archives: Basement of Grins

QPF Spotlight #6 – Fiona Privitera

Spotlight #6 takes a look at local shining light, Fiona Privitera. Recently, I have had the pleasure of working with Fiona as part of my residency at Cosmopolitan Cafe and am mighty happy to announce that I will be publishing a chapbook of her work (alongside another local poet Jonathon Hadwen), so keep your eyes out for details about its release. For now, over to Fiona …

 

fe privitera

 

What is the role of spontaneity in your creative process?

Spontaneity is the result of many hours of reading, researching, talking, thinking, dreaming and writing. Also as important is the role of mistake in a work-  an example of this is a line which began as “the slipping sunlight…” in my notebook, but I typed it as “the slipping sun slight…” which worked better within the poem.

 

Eliot said, “Poets learn to write by being other writers for a while, and then moving onto another one.” Who are the people who have influenced you and who are you reading now?
 
Yesterday I finished reading Story of O by Pauline Réage. It might take a few more days to sink in. It is about a woman whose lover takes her to a house where she is whipped and made use of by all of the men there, and then she is given to another man by her lover and that other man becomes her ‘master’. The book refrains from becoming vulgar however, and has some really interesting things to say about desire and control, desire and possession, about submission, about how much one will do for the pleasure they receive in letting another take pleasure from them in whatever way they see fit.

O must be open all the time. She is to wear no underwear, never close her legs, always have her mouth slightly open. O’s body may be a possession of her master to use and lend as he sees fit, however, her free will is never compromised, as at any stage O is free to leave. I really see it as an extreme version of all erotic relationships; although in most relationships the ‘master/servant’ roles vary from moment to moment, day to day, and you could say the real master is always desire itself. I would recommend reading it.

I would say that I have been more influenced by particular books and poems than by whole bodies of work by any particular author. Novels would be Invisible Cities by Italo Calvino and Silk by Allessandro Barrico, for their poetic, simple, concise use of language. I have just re-read My Lover’s Back by mtc cronin- what a great collection. The first poem, Lovers, I must have read 30 times over and each time it is just as brilliant. And I really like the stanza you wrote in On One Hand

Why do they do that?
Shut mad men in a dark place
where they will ripen

I have been influenced and inspired by poets I have met and ones I have seen perform- Rowan Donovan, Mel Dixon, Sean M Whelan -the list could go on and on.

 

Why perform/read your poetry?

I like the sound of it. Hopefully some other people do as well.
 

 

I am always interested in the thought processes and practices of writers. Would it be possible for you to share with us your process, in other words, what does Fiona Privitera do in preparation for writing?

I find the actual physical act of writing somewhat contrary to my nature. I prefer to be active and social, while writing is sedentary and solitary. It also requires a certain degree of discipline which I lack. I read poems, stories, non-fiction, news articles, spend way too long on Wikipedia, visit my grandmother, do the dishes, walk to the shops, listen to music, sleep, take notes from books and conversations, steal quotes from friends, do the laundry, think, think some more and then finally I write some awful page of rubbish, which, if I am lucky has one line I use as stimulus for a piece or pieces. Exercise seems to stimulate my ‘writing brain’ so I always walk with a notebook. I usually end up writing decent poems about things which I have been thinking of and taking notes about for at least six months. I went through a big writing stage about a year ago, so lately I’ve really become more of an editor as opposed to a writer. 

 

Finally, where are you looking when you write?

Graham, I am looking at the notebook or the computer screen. ( is this a trick question?)

 

Poem:

 

i.

The red dye carmine, which is used
to colour many cosmetics and confectionaries
is processed by crushing dried female
cochineal insects.

She sucks on a watermelon flavoured
chili-coated lollipop and harvests
those insects from the cacti.

 

ii.

Her dress is fine threads of saffron fairy floss.
We lie on the white ground.
The morning is strangely warm and the snow
melts around our bodies.
Her dress melts beneath my hands and in my mouth.
I am full of sugar and we are lying in wet dirt.

Her dark eyes are accentuated by grey eyeliner
the cosmetic company titled Gunshot.
Her cupids bow mouth is sweet, Harlot red.
Her flushed cheeks, Peaches.

Her open palm holds the broken thread of her
beetle necklace; the soft bugs scattered in the earth
and the fire-ant trail of her hair.

She tells me:
Iam a pinata. You have cracked me open
found me full of candy.

 

Catch Fiona at QPF 2009:

 

Saturday August 22 – 8:00pm

A Million Bright Things: featuring a short set from every bright thing on the 2009 program plus a feature set from the awesome Neil Murray

 

Sunday August 23 – 12:15pm – 1:15pm

Basement of Grins: feat. Fiona Privitera, Janet Jackson & Jayne Fenton Keane

 

All sessions are held at the Judith Wright Centre of Contemporary Arts, Brunswick St. Fortitude Valley.

For full program details head to www.queenslandpoetryfestival.com

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QPF Spotlight #2 – Janet Jackson

Next up in the QPF Spotlight is Janet Jackson.

 

jjackson

 

What is the role of spontaneity in your creative process?

Essential in a number of ways.

Many of my favourite poems are built around a line or metaphor that ‘just popped into my head’. I sometimes wake up with poems or songs in my head. Usually there’s something on my mind that I’m wanting to write about, but I have to wait for the moment to strike. Forcing it rarely works.

Lately I’ve been writing about people I just happen to meet or see.

Often I find poem titles by scanning randomly, around two-thirds of the way down the poem, for a word or phrase that ‘feels right’.

When editing, I use a brainstorming technique to find ‘missing’ words.
 

Eliot said, “Poets learn to write by being other writers for a while, and then moving onto another one.” Who are the people who have influenced you and who are you reading now?

Oh, this is the hard question. When I started writing and publishing poetry I was reading sci-fi and rock journalism and computer science textbooks. Eliot wouldn’t have liked me (I don’t like him very much, either).

At the moment I’m reading Going Down Swinging and WA Poets Inc’s Creatrix (at www.wapoets.net.au) and various zines and books I’ve picked up at readings.

I’ve been compared to H.D., Louis MacNeice, Lou Reed, Suzanne Vega and John Cooper Clarke! MacNeice is definitely an influence.

Music, lyrics and spoken poetry are probably a bigger influence than written poetry. My MP3 player features, among other things, U2 (check out the ‘Pop’ and ‘Zooropa’ lyrics), The Velvet Underground, Joy Division, and the Antipoet Allan Boyd’s bands Blac Blocs and Mitey-ko. And Steve Smart. If Geoff Lemon or Kate Wilson should record CDs — which they should — they’ll be on there too.

I also like sound poetry, poetry spoken in languages I don’t know, and the undefinable word/sound experiments of people like Ashley J Higgs.

Other influences? Joyce, Beckett, Yeats, Heaney, the Irish in general. Anglo-saxon poetry. Rumi. Surrealist poetry. Robert Frost. Dr Seuss. Frank O’Hara. Peter Goldsworthy. Kevin Gillam. Lily Chan. Amber Fresh. The occasional L=A=N=G=U=A=G=E poem. Computer programs.
 

Why perform/read your poetry?

You can hear what it sounds like.
You can bring your poems to life and interpret them for the audience.
You get your poetry to people who otherwise would never experience it.
You sell a lot more zines and books.
You get to meet other poets and hear their words.
And it feels amazing!

I love reading other people’s poetry aloud even more than performing my own.
 

 
I am always interested in the thought processes and practices of writers. Would it be possible for you to share with us your process, in other words, what does Janet Jackson do in preparation for writing?

Dream.
Go out into the world and look at it.
Get hurt. Get angry. Get tired.
Dream.
Watch films. Read anything. Read poetry.
Listen to poetry. Listen to music.
Dream.
Clean, wash dishes, walk, drive.
Carry a notebook.
Dream.
Write my stream of consciousness until the words start to dance.

I would suggest that my poetry is about myself in the same sense that ‘Fear and Loathing in Las Vegas’ is about Hunter S Thompson.
 

 
Finally, where are you looking when you write?

Across the ocean, across the desert, across the street, or straight into your eyes.

 

 

A Poem:

 

Dress in rags

I love it when you dress in rags.

The ragged edges show how whole the centre is.

When you dance in your old clothes
simpler than today’s clothes
your powerful body shows me the child inside.

We are just children wearing layers.

Dress in rags. Show me a bit
of your skin, and if your hair gets thin
don’t fake it. Take it
all the way ascetic,
desert dirt aesthetic,
in rags, in patches, in mixed
colours, in glory,
exulted,
enlightened,
unlimited

making it up as you go along
in your rags.
 

(From ‘Coracle: Selected poems 1991-2007’, published by the author. www.proximitypoetry.com)

 And view Janet performing at Cottonmouth here.

 

 
About Janet:

Since 1986 Janet Jackson has sculpted in English, seeking poems that work whether declaimed loudly or whispered in the mind.

Janet featured at the inaugural Missing Link Festival (Perth 2008), the 2006, 2007 and 2008 WA Spring Poetry Festivals and 2007 and 2008 Melbourne Overload Poetry Festivals. She has featured at many readings, performances and slams and can be heard at all the places in Perth where poets gather.

Her poems have been published in many print and online magazines and anthologies, and she has self-published three chapbooks and her own website, Proximity.

Her first collection, Coracle, was published in March 2009.

Janet is the convenor of The Line Mine, an online community promoting poetry events in Perth, and the organiser of the Perth Poetry Club.

 

Catch Janet at QPF 2009:

Saturday August 22 – 4:00pm – 5:00pm

Drenched with Desire: feat. Kent MacCarter, Janet Jackson & Marissa Allen

 

Saturday August 22 – 8:00pm

A Million Bright Things: featuring a short set from every bright thing on the 2009 program plus a feature set from the awesome Neil Murray

 

Sunday August 23 – 12:15pm – 1:15pm

Basement of Grins: feat. Janet Jackson, Fiona Privitera & Jayne Fenton Keane

 

Sunday August 23 – 7:00pm – 9:00pm

Just Kissed Goodbye: feat. Janet Jackson, Angela Costi, Jane Williams, Neil Murray, Elizabeth Bachinsky, Geoff Goodfellow, Paul Magee, AF Harrold, Hinemoana Baker and the QPF Committee

 

All sessions are held at the Judith Wright Centre of Contemporary Arts, Brunswick St. Fortitude Valley.

For full program details head to www.queenslandpoetryfestival.com

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