Poetry Picks of 2010 – Zenobia Frost

Pam Schindler launched A Sky You Could Fall Into (Post Pressed) at the Queensland Poetry Festival this year. I’d been waiting for Pam’s debut collection for a long while, and it didn’t disappoint. Her poems have a quiet melody that gets under your skin, and a voice that is tender without sentimentality. Frogs, dragonflies, birds and possums are recurring characters in a book where the line between wilderness and suburban Brisbane life blurs joyously. The poet’s hand is invisible; each poem seems to spring straight from the earth.

Reading A Sky You Could Fall Into was like finding space and time to sit and breathe for a little while—something I definitely needed in the middle of a very busy year. Schindler’s language is fresh, warm and intimate. Her poems sparkle with the kind of humour that exists between old friends. Her innate sense of rhythm and ability to spin vivid images from few words are skills I aspire to.

What I loved most about the collection was its sense of place. These are Brisbane poems and Queensland poems, and are best read on the veranda whilst a storm gathers over far-off hills, with a cup of tea in hand and a possum nibbling at an apple slice on the balustrade.

(Read a sample of Pam’s work at foam:e)

 

 Zenobia Frost is a poetic adventurer, hat fetishist and protector of apostrophes. In her writing, Zenobia aims to highlight those common enchantments that are often overlooked. Thus, her debut collection, The Voyage is a whimsical journey on (generally) calm seas with a crew of curious creatures and a compass that points to whichever shore offers the best cup of tea. Zenobia’s poems have found homes in such Australian journals as Going Down Swinging, Small Packages, Stylus, Mascara and Voiceworks. She coordinates The Ruby Fizz Society for Superior People, a light-hearted excuse for performance arts and baked goods.

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3 Comments

Filed under discussions, poetry & publishing

3 responses to “Poetry Picks of 2010 – Zenobia Frost

  1. Wow, that ‘in paperbark country’ is just stunning poetry – the introduction of the mother in the middle is such a juxtaposition, it shifts the poem completely and so effectively. Thanks for the review Zenobia 🙂

  2. Pingback: Poetry picks on the Lost Shark | Am I the Black Rider? Yes.

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